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Landscape 2 (7)

The ankle is slowly going down, but it’s still a lot fatter than the other one. This unfortunately has meant moving up and down the steps from the machinery area to the hand-work area is a laborious process. Nonetheless, the landscape is slowly starting to take shape.

Because there are so many pieces, and each one is cut by hand, I’ve had to make a few minor adjustments to how I cut some of the different patterns. Thirty minutes extra doesn’t really matter very much when dealing with a couple of hundred kumiko pieces, but multiply this by 50 or so when the pieces number well over ten thousand, and suddenly there’s an extra 25 hours work, at a minimum; an extra hour, and that’s an extra week’s work.

The
yae-asa-no-ha is one of the major changes. The overall shape of the pattern is pretty much the same, but I’ve altered the way it goes together. This has speeded up the process quite a deal, and produces a better fitting pattern. The kumiko shokunin purists perhaps may not completely approve, but unless you know exactly where to look and what to look for, the change would probably go unnoticed. Beyond this, “I’ll neither confirm nor deny…

landscape_02:03
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